© Alan Reade, 1996 and 2020
View the Show Notes
Cynics' Love Song
With hopeful heart, like a Hallmark wish or a cellophane mint in a crystal dish,
I sit in bed with the radio on--the station's clear but my mind is gone--
And think of how it seems absurd, that "love" is a multi-purpose word:
I've been misled; if you say "love," I won't know the one you're thinking of.
I know they're clichés
In these passion plays,
But the cynical voice inside my head says:
Love--Where does it get me?
Words have misled me; they'll tear me
Away from you.
Love--my servant or master?
What a disaster; its red tide
Leaves me blue.
But I don't think, not with my brain, as I watch the drizzle swell to rain,
I now should try and test my luck--put off love's bliss with a primal fuck;
To sort me out as a human being takes more than a set of bodily means;
I wonder why I play this game? Players that change but results the same.
I know they're clichés
In these passion plays,
But the cynical voice inside my head says:
Ooh, love--Where does it get me?
Words have misled me; they'll tear me
Away from you.
Love--my servant or master?
Oh, what a disaster! Its red tide
Leaves me blue.
Love is so blind, as I watch and wait for a signal from you to seal my fate;
It does not see with judgment's eyes; or else, if it does see, it lies.
So love remains the mythical word, so often unseen or else unheard--
A mystery for the brainless ones, those who live pop song to pop song.
I know they're clichés
In these passion plays,
But the cynical voice inside my head says:
Love--Where does it get me?
Words have misled me; they'll tear me
Away from you.
Love--my servant or master?
What a disaster; its red tide
Leaves me blue.
Love--Where did it get me?!
One word misled me; it tore me
Away from you!
Love--my servant or master?!
What a disaster! Its red tide left me blue!
What a disaster!
Its red tide left me blue.
Speaking The Unspeakable
Speaking the unspeakable
In Arial Bold
Advertising dares for truth
Buying what can't be sold
Coin-op orgasms
Sex on a page
Plastic voodoo love dolls
On whom we vent our rage
Rage at loneliness, at helplessness
Rage at tedium and routine
Rage at rejection--we even the odds
And drop in on a magazine
Where women with their legs spread like pulp novels smile
In pigtails and mock-cheer
And men with their dicks propped like sock puppets pose
With their custom-hardened veneer
No crazies, fats, fems, or drugs
No uglies, alkies, goons, or thugs
No biggies, smallies, frilly willies
No nellies, bellies, calla lilies
There was fire in the neon's glow
In the ads, there was resurrection
And columns and rows of lonely hearts
All trying to find perfection
So many ads on this one page
Cubicles of prescription lust
Stacked like the apartments they emanate from
Containing the sum of us
And the memories of failed fix-ups
Run through your bedtime mind
So many people in just this town
But the right one misses you blind
No crazies, lazies, Driving Miss Daisies
No bullshitting tight-fitting stripes with paisleys
No lay-em-and-leave-em confidence games
No jaded, X-rated, falsified names
Speaking the unspeakable
Like soundbites on the news
And knowing the unthinkable--
That there's too much to choose.
Long-Distance Piéta
The needles crucify me--higher this time.
Mama, I'm showing stigmata on the backsides
of each of my elbows.
The pulsing in my head, as my doctor/interrogator aims questions
at my intimacy, at the heart of my fear,
feels like the slow migration of thorns into my scalp
and the grayness it shields. The questions, though gentle, pry deeper, and
so do the sharp points of realization. How does a virus enter?
My palms are sweating a Tigris of repentance; my voice squeaks
like a schoolboy's when brought before the headmaster for stealing.
I swear, mama, the only thing I ever stole was time,
and then only from those willing to give it up. But I'm not willing
to give any of it back. This doctor tells me that my life hypothetically
could disappear in five, maybe eight, maybe ten years. He unknowingly
eulogizes my uncertainty with his comforting ease. The uncertainty
will rise in seven days, in a new form: Ink on paper.
Blood in syringe. Result in folder.
Forgive me, mama; I am long-distance in your flowing arms;
I knew not what I was doing, and I know not how to avoid
rising again and again from needless descents
into faithless flesh.
Blue Space
I've been in a blue space about someone lately...
Maybe you know him too.
All day, blue lights flicker on his face
As his pipe dreams go up in pipe smoke.
Maybe...maybe I'm talking about my father.
That's what a shrink might say: That all men are my father,
And maybe she'd be right.
But I don't know. Father figures to me are more like icons:
God The Father, things like that. So when I say
"I'm blue,"
You know it's true,
And not just some sublimation of the truth; not
Some projected animation of my animus.
No, I think I know what I'm talking about here:
It's the feeling of walking around in the city,
Among the alleyways, the orifices of asphalt and concrete,
And stepping into a "blue space,"
A place of color. Blue isn't that commonly used in urban planning;
You have to go way out to the suburbs to find the kind of blue
That I'm talking about, en masse.
It's the color of handicapped parking zones,
Like somebody squeezed out the color from the cloudless sky and made paint,
And then spread it all over the parking lot.
It was dusk, and I was walking along a city street,
And I stumbled into a parking lot all painted this color.
And I looked up at the dusky sky and felt that it was reflected below me,
Felt as though some "blue light of God" had found me in this space,
And I felt as though I were receiving some message that only I could receive--
Out from under skyscrapers' shadows,
Out from under creaking floors above my bed
Where people walk all night long
And their feet sound so blue. So blue.
And I said, "Ah, a blue space," and floated away. I felt magic.
I know that this feeling is what those people want
When they flush opiates into their indigo veins. That feeling of escape, release.
That feeling of "Fuck it. I'm gonna go have some pie!"
Maybe that's why half of police lights are blue: It's that blue light again.
That healing flame, hunting you down to calm you
While the red one lets you know that you're in deep shit.
Please don't think I'm näive. I know that it's all business.
That's why cities exist. That's why pipes and needles exist:
The business of freedom and pleasure.
The haves and have-nots. Formal dinners and dumpster feasts.
I heard in some play on TV that
"Formality is simply anger with its hair combed,"
And I'm inclined to agree.
I'm in another sort of blue now, blue like the dark windows
Of that skyscraper that they just put in. Blue because I see
The handwriting on the wall that can't spell worth a damn.
I see the TV flickering on his face. I see smoke signals that say,
"Dreams Are Dying." Please don't think I'm näive. Most people
Can see the horror in all of its anguish; and yet the sky comes down sometimes
And gives them peace, like a healing lake in the city of problems
That is building itself endlessly inside my head.
Angel
Let me in.
Let me in mother.
Or I will become
leather
Chained to a bike.
A bloody angel
ribbed by an engine's
grind.
Let me in, mother.
O god let me in.
Let me in through your baking,
In through the turkey you slice.
In through the Spam casserole.
Let me in, mother.
I'm surching fer you.
Yesterday,
My heart
was pounding
loud inside my breast,
alone and afraid,
as I pried my sweaty body
from the man next to mine.
He comforted me
with words grown like flowers,
Words blooming, exploding,
marking the hours,
as he floated past.
Mama, I needed
his body for mine;
This bloody angel
who lives in this time--
Within, my body is raped,
almost torn.
It was like being reborn.
Which, I assure you, was no easy feat;
Wet, heavy, and hungry
for someone to eat.
Only knowing the body,
the first human need,
as
the first human need.
So, mama, I'll tell you:
You're under my skin.
I can't pry you out, oh mama,
I can't;
You're inside of my brain,
you have stock in my
Pain.
It'll take
your winged horses
And all the King's men
To put mama's Dark Angel,
Mama's black, bloody angel
To put mama's dark angel
Together again.
My Secret Place
The test came back from its pilgrimage to the lab,
My blood having emerged fearfully from my arm,
As I'm sure Lazarus did from his stone tomb.
The office spun around my head, as I remembered those I love,
Dying or
Dead.
My angels kept calling to me:
"There's no room for fear in your heart."
But I didn't want to listen.
"Negative,"
The nurse said, and then, "Boy, you look white as a
Ghost! Do whatever you have to do, honey."
Meaning cry.
But I didn't,
Until the next night, sitting in your car.
She's back in town, you said. Your heart couldn't help being
Warmed.
I wept quiet tears, my loud mouth silenced by
Reckless fears.
"There's no room for you," I kept hearing,
Deep in my head. My heart beat like some burrowing knife.
"Please,"
You said, "Let's not talk. Come on,
Let's go inside."
And I thought:
How I fear you in my blood.
How I fear you'll infect my soul like some lethal strain;
I fear that you'll become a part of my spirit
That I cannot transfuse.
In my heart,
Where angels cannot reach me;
In my heart,
Where logic cannot teach me;
Deep inside,
Where words cannot offer
Their solace or comfort.
Deep in my heart.
Deep in my heart.
So deep in my secret place,
Where blood is just a device.
To the next part, Obliviotopia
Or, if you already know the part you'd like to go to, click it below:
Back to the Previous Page
American Language Launch Page